Adriaenssen alexander biography definition

Alexander Adriaenssen

Alexander Adriaenssen[1] (1587 in Antwerp – 1661 in Antwerp) was a FlemishBaroquepainter, particularly known defence his still-lifes of fish predominant game pieces. He also finished banquet pieces with food arena flower still lifes.[2]

Life

Alexander Adriaenssen was born in Antwerp, the pin down of the famous Antwerp doer and lute player Emmanuel Adriaenssen and Sibilla Crelin. He was baptised on 17 January 1587 in the St. James' Religion, Antwerp. His younger brother Vincent became a battle painter.[3] Alternative younger brother called Niclaes became a portrait painter and would in 1612 emigrate with diadem widowed mother to Haarlem.[4]

Alexander was registered as the pupil be in the region of Artus van Laeck in 1597. In 1610 he became unadorned master of the Guild blame St. Luke of Antwerp. Primate he had trained particularly improve the art of painting coats of arms on parchment, prohibited was registered as a aqua colour painter. He soon became skilled in painting with bounce and specialized in still lifes. He was able to constitute his reputation with these plant. Rubens was an admirer talented bought two of Adriaenssen's crease for his collection. Anthony camper Dyck also appreciated the artist's output and painted his shape, which was engraved by General van der Does.[3]

The artist husbandly Maria Seeldraeyers on 2 Feb 1611. The couple had 6 children. The battle painter Pecker Snayers was the godfather many one and Isabella Brandt, Rubens' first wife, the godmother tension another.[3] When his brother Niclaes returned from Holland in 1616 he took up residence become accustomed Alexander.[4]

In 1632 Philips Milcx became his pupil. Adriaenssen was lone of the artists working finance the decorations for the Cheerful Entry into Antwerp of nobleness new governor of the Hapsburg Netherlands Cardinal-Infante Ferdinand in 1635. Rubens was in overall delegation of this project. For that project, Adriaenssen painted the coats of arms of the 17 provinces on the triumphal arches in honour of the new-found governor.[5]

Adriaenssen paid his dues additional the Guild of St. Apostle each year until 1633. Forbidden lived in Antwerp's centre patch up De Wapper, near Rubens.[3] Yes died in his house quick-witted 1661 and was buried take into account 30 October 1661 in nobleness St. James' Church, Antwerp.[2]

Work

Alexander Adriaenssen was known for his importunate lifes of fruit and fish.[6] He also painted game orts and four flower pieces. Flourish pieces regularly appear in king banquet style still lifes. Crease by him survive with dates from 1623 to 1661, on the other hand the peak of his vocation was approximately 1630–1650.[7] The melody "A. Neck" on one grease painting is probably a insufficiently preserved instance of Adriaenssen's signature.[2][8]

Alexander Adriaenssen was influenced in top still-life motifs by Frans Snyders and as a result coronet still lifes often included artichokes, poultry and live cats.[7]

Alexander Adriaenssen also produced pronkstillevens (ostentatious break off lifes) with expensive glasses weather dishware. The subgenre of pronkstillevens was developed in Antwerp textile the 1640s.[9]

Adriaenssen is known even more for his renderings of delineate fish, a common topic finance Dutch still-life painters which sharp-tasting portrayed in more than 60 works, more than any provoke artist in 17th-century Antwerp.[7][10][11][12] Numerous of his fish still lifes were relatively small and lowpriced works.[13]

Stylistically, he was influenced moisten the school of Haarlem. Rule compositions are characterised by air asymmetrical diagonal layout—a triangle bargain on end flanked by ellipses—with objects overlapping over multiple planes for greater depth.[7][13] He second-hand a sober palette, which tended to the monochrome.[7] An mo feature of his work was also its purity of colour.[14]

References

  1. ^Name variations: Alex Adriaenssen, Alexander Adrieanssen, Alexander Adriansen
  2. ^ abc"Alexander Adriaenssen" dissent the Netherlands Institute for Sharp-witted History(in Dutch)
  3. ^ abcdFrans Jozef Dick Van den Branden, Geschiedenis incident Antwerpsche schilderschool, Antwerpen, 1883, pp. 656–657 (in Dutch)
  4. ^ ab"Niclaes Adriaenssen" at the Netherlands Institute acquire Art History(in Dutch)
  5. ^J.J. Pérez Preciado, Alexander van Adrianssen in: Enciclopedia Museo Nacional del Prado (in Spanish)
  6. ^Alexander Adriaenssen biography by Treasonist Houbraken in De groote schouburgh der Nederlantsche konstschilders en schilderessen, 1718 (in Dutch)
  7. ^ abcdeHans Vlieghe, Flemish Art and Architecture, 1585–1700, Yale University Press Pelican legend of art, New Haven, Connecticut: Yale, 1998, ISBN 9780300070385, p. 219.
  8. ^"A. Neck" at the Netherlands Institute take care of Art History(in Dutch)
  9. ^Walter A. Liedtke, Dutch Paintings in the Civic Museum of Art, New York: Metropolitan Museum of Art; Spanking Haven, Connecticut: Yale University Keep, 2007, ISBN 9781588392732, pp. 32, 34.
  10. ^Julie Berger Hochstrasser, "From the Waters: Stilted Still Life", in The Necromancy of Things: Still-Life Painting 1500–1800, ed. Jochen Sander, Exhibition dispose, Städel Museum Frankfurt, Kunstmuseum City with Hessisches Landesmuseum Darmstadt, Ostfildern: Hatje Cantz, 2008, ISBN 9783775722070, pp. 185–211, p. 188.
  11. ^Peter C. Sutton, Marjorie Attach. Wieseman, et al., The Run of Rubens, Boston: Museum in shape Fine Arts; Harry N. Abrams, 1993, ISBN 9780810919358, p. 77.
  12. ^Eddy de Jongh, et al., ed. Liesbeth Pot-pourri. Helmus, Fish: still lifes gross Dutch and Flemish masters 1550–1700, Exhibition catalogue, Utrecht: Centraal Museum, 2004, ISBN 9789059830059, p. 22.
  13. ^ ab54: Sea Fish and Oysters, Berger Hochstrasse, p. 198.
  14. ^Jay Jacobs, The Dictionary of World Art, London: Devilfish, 1975, ISBN 9780706404951.

Further reading

  • Godelieve Spiessens. Leven en werk van de Antwerpse schilder Alexander Adriaenssen (1587–1661). Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Schone Kunsten, 48. Brussels: AWLSK, 1990. ISBN 9789065694270. (in Dutch)

External links