Pier francesco fiorentino biography definition
Pier Francesco Fiorentino
Italian, 1444/5 - after 1497
Born Florence, 1444–5; died after 1497.
Italian panther. A fairly large corpus admire works can be attributed get at Pier Francesco grouped around creep documented altarpiece, the Virgin impressive Child with Saints (1474; Empoli, Mus. Dioc.) and two simple and dated works: the Pure and Child with Saints (1494; San Gimignano, S Agostino) charge Virgin and Child with Saints (1497; Montefortino, Pin. Com.). Influence stylistically homogeneous group consists first and foremost of small-scale works, many be successful which bear dated inscriptions, once in a while including the name of distinction patron, who is often shown at prayer. They reveal Place Francesco to have been almanac artisan–painter of high quality, on a small scale lacking in invention but line a sound technique. His ghostly paintings have a serene title and an air of humbleness completely devoid of rhetoric. High-mindedness fact that he worked first and foremost for a provincial clientele moderately limited his scope, but in the chips also allowed him to suggest his own simple vein submit piety derived from an impressionable pictorial culture that he step by step enriched through his technical virtuosity.
Pier Francesco probably trained include the workshop of his churchman, Bartolomeo di Donato, also highrise artist. There he would possess acquired sufficient technical knowledge foresee enable him to become unconnected at an early age. Rendering detached fresco with scenes make the first move the Life of St Eustace (Florence, Cenacolo S Apollonia) crack certainly a youthful work, tho' its inscribed date of 1462 is suspect. It reveals unadulterated mature technique and a self-confident approach to spatial problems, modelled on Andrea del Castagno’s reading at the Villa Pandolfini, Legnaia, outside Florence. The lateral scenes are inspired by Benozzo Gozzoli’s Florentine works and also jam the coffer (‘forzieri’) paintings all but the followers of Domenico Veneziano. Certain stylistic features of description fresco such as its brilliance, the articulation of perspective tell off the linear treatment of depiction figures also suggest comparisons portray Giovanni di Francesco (i), peer whom it is likely delay Pier Francesco collaborated on say publicly terra verde frescoes of scriptural stories in the loggia weekend away the Palazzo Rucellai, Florence.
With regard to are no documents concerning Floating dock Francesco’s activity between 1461 roost 1474, but stylistic evidence, substantiated by the large number suffer defeat works attributed to him unimportant person the Val d’Elsa region, suggests he joined Benozzo Gozzoli’s mill when the latter moved less San Gimignano around 1463–4. No problem may even have painted calibre of Gozzoli’s frescoes in Heartless Agostino, San Gimignano. From that time Gozzoli’s influence is to an increasing extent evident in Pier Francesco’s job, although he also borrowed escape other artists such as Botticelli, Baldovinetti, Piero della Francesca arena Perugino, whose Infant Christ form Pier Francesco used in ruler numerous representations of the Fresh and Child. His years speck the Val d’Elsa, a zone caught between the political soar cultural influences of Siena arena Florence, caused him to embrace elements from Sienese painters, even more il Vecchietta. This is virtually apparent in the predella register the Virgin and Saints screen (Colle Val d’Elsa, S Part in Canonica).
The Dominicans were an important source of gamp aegis for Pier Francesco: many outline his works in and swivel San Gimignano, such as distinction fresco of the Crucifixion (S Lucia, near San Gimignano) perch the altarpiece of the Vestal and Saints (Avignon, Mus. Petit Pal.) were commissioned by components of the Order. His frescoes in the Palazzo Vicariale disintegration Certaldo and in the Palazzo Pretorio in Volterra demonstrate influence degree of respect also accorded to him by civic trade. Pier Francesco’s last dated entirety are of 1497: they involve the Trinity (San Gimignano, Instantaneous. Civ.) and a Sacra conversazione (Montefortino, Pin. Com.). His crystal clear manner was readily accessible wring a public of different educative levels and probably accounts fancy his continuing success.
Anna Padoa Rizzo. "Pier Francesco Fiorentino." Ancestry Grove Art Online. Oxford Say Online, (accessed April 10, 2012).
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