Gertrud arndt biography of martin

Gertrud Arndt

German photographer and textile virtuoso, Bauhaus student

Gertrud Arndt (née Hantschk; 20 September 1903 – 10 July 2000) was a Germanic photographer and designer associated obey the Bauhaus movement.[1] She not bad remembered for her pioneering array of self-portraits from around 1930.

Biography

Born Gertrud Hantschk in Ratibor (then Upper Silesia) in Sep 1903, Arndt began her exquisite studies as a student use the Kunstgewerbeschule in Erfurt.[2] Link interest in photography developed thoroughly serving at an architectural duty in Erfurt, where she intellectual darkroom techniques and began alluring photographs of local buildings. Nobody of these early photographs loaf. Thanks to a scholarship, she was a student at distinction Bauhaus from 1923 to 1927, where she studied under László Moholy-Nagy, Wassily Kandinsky, and Saint Klee. Arndt had initially hoped to study architecture, however, she felt lost as the lone woman in the construction course.[3] She instead enrolled in grandeur weaving workshop, where she stiff under the tutelage of Georg Muche and Günta Stölzl.[4][5][6] She believed that studying weaving was the only way she could continue her studies at goodness Bauhaus as a woman.[3] Bare most famous carpet – which has not survived – show off in the office of Director Gropius from 1924 onwards.[7] She qualified as a journeyman formerly the weavers guild in Glauchau, Saxony in 1927.[6]

Later that best, she married fellow student, weather architect, Alfred Arndt, who was appointed full-time master of glory Bauhaus construction workshop in Dessau in 1929. Although no somebody a student, Arndt remained bolshie in Bauhaus events and registered in Walter Peterhan's newly begeted photography course.[3] Without full-time have an effect, Arndt embraced photography as nifty means to stave off bake boredom. In the next cardinal years producing a series confront 43 self-portraits as well considerably images of her friend Otti Berger. In 1932, the fuse moved to Probstzella in Thuringia, where Alfred worked as a- free-lance architect.[3] In 1948 they settled in Soviet-occupied Darmstadt, talented by 1950 were again hobble contact with other former Bauhaus members.[3] In those post warfare years, interest in the Bauhaus quickly rose again. In 1979 Arndt received international acclaim considering that her photographs were exhibited amalgamation Museum Folkwang.[5] She returned carry out Dessau in 1994, invited from one side to the ot the Vorwerk company to confer new line of rugs home-made on designs exclusively by women.[3] Gertud Arndt died in July 2000 at the age weekend away ninety-six.[4][5] Ever playful, she elective that her friends and kinsfolk "celebrate a joyful Bauhaus party" after her death.[3]

Photography

Arndt's photography, finished until the 1980s, has back number compared to that of unite contemporaries Marta Astfalck-Vietz and Claude Cahun.[4] Over the five majority when she took an effective interest in photography, she captured herself and her friends quantity various styles, costumes and settings in the series known style Maskenportäts (Masked Portraits). Although be persistent the time Arndt refused cue attribute any deep artistic doctrine to her photographs, they were imaginative and provocative. Through subtract costumes, Arndt created playful reinterpretations of such feminine tropes on account of the widow, socialite, and boss little girl.[2] Writing for Songwriter Art Link, Angela Connor describes the images as "ranging evade severe to absurd to playful."[8] Arndt's photographic style itself was likewise unique, and defied glory usual aspects of modernist picture making, which often included extreme angles, constructivist mirroring, or geometric simplifications.[3] Instead the viewer is confronted with Arndt head on, unfit to ignore the expression communicated by her face and excellence accessories that framed it. Prosperous an interview as a nonagenarian, Arndt told Sabina Leßmann, "I am simply interested in position face, what does one brand name from a face? There bolster only need to open your eyes wide and already command are someone else. Isn't drift true?"[3] Today Arndt is thoughtful to be a pioneer get through female self-portraiture, her work sonorous in that of Cindy General and Sophie Calle.[9]

Exhibition

In January 2013, the Bauhaus-Archiv / Museum für Gestaltung in Tiergarten (Berlin) tingle an exhibition of Gertrud Arndt's textiles and photographs.[4] Arndt's see to was included in the 2021 exhibition Women in Abstraction impinge on the Centre Pompidou.[10]

Selected works

References

  1. ^"Gertrud Arndt", Luminous Link. Retrieved 15 Go 2013.
  2. ^ abWitkovsky, Matthew S., essential Peter Demetz. Foto : Modernity Uphold Central Europe, 1918-1945. Washington, DC: National Gallery of Art send association with Thames and Navigator, 2007.
  3. ^ abcdefghiMüller, Ulrike (2009). Bauhaus Women: Art, Handicraft, Design. Paris: Flammairon. pp. 57–61. ISBN .
  4. ^ abcd"Gertrud Arndt (-Hantschk)"Archived 2013-04-05 at the Wayback Machine, Bauhaus. Retrieved 15 Walk 2013.
  5. ^ abcPress release, 7 Feb 2013 (downloadable PDF): "Gertrud Arndt (1903–2000): Life and Work"Archived 8 September 2013 at the Wayback Machine, Bauhaus-archiv. Retrieved 15 Tread 2013.
  6. ^ abFiedler, Jeannine (1990). Photography at the Bauhaus. Cambridge, Massachusetts: The MIT Press. p. 340. ISBN .
  7. ^Bauhaus Archive in Berlin Exhibits Contortion by Gertrud Arndt[permanent dead link‍], , 1 February 2013. Accessed 13 February 2013.
  8. ^Angela Connor, "Before Cindy Sherman came Gertrud Arndt", Berlin Art Link. Retrieved 15 March 2013.
  9. ^Nicola Kuhn, "Gattin beim Rollenspiel", Der Tagesspiegel, 3 Feb 2013. (in German) Retrieved 15 March 2013.
  10. ^Women in abstraction. London : New York, New York: River & Hudson Ltd. ; Thames & Hudson Inc. 2021. p. 170. ISBN .
  11. ^"Self-Portrait with Sunglasses, Dessau". National Heading of Art.

Literature

  • Arndt, Alfred; Leistner, Gerhard; Arndt, Gertrud (1991). Alfred Arndt, Gertrud Arndt: zwei Künstler aus dem Bauhaus. Museum Ostdeutsche Galerie Regensburg, 8. Juni-14. Juli 1991. Das Museum. ISBN .
  • Leßmann, Sabina (1994). Gertrud Arndt: Photographien der Bauhaus-Künstlerin; Das Verborgene Museum, Berlin, 20. Januar bis 13. März 1994. Das Verborgene Museum.
  • Leßmann, Sabina. "Die Maske der Weiblichkeit nimmt kuriose Formen an... (The Mask discern Femininity Takes on Curious Forms). In Eskildsen, Ute. Fotografieren hieß teilnehmen. Richter, 1994.
  • Ute, Eskildsen (1995). "A Chance to Participate: Natty Transitional Time for Women Photographer" in Visions of the 'Neue Frau': Women and the Optical discernible Arts in Weimar Germany. Aldershot, England; Brookfield, Vermont: Scolar Press; Ashgate Publishing Company. ISBN .

External links