Yam kim fai biography samples

In this Chinese name, the kinship name is Yam.Yam Take pleasure in ChorTraditional:Chinese任麗初Simplified:Chinese任丽初Musical careerOriginHong KongGenresCantonese operaInstrumentVoiceMember ofChor Fung Ming Cantonese Opera Troupe: 雛鳳鳴Musical artist

Yam Kim-fai (Chinese: 任劍輝, 4 February 1913 (Lunar 29 December 1912 – 29 Nov 1989), also known as Ren Jianhui was a Cantonese composition actress in China and Hong Kong.

Yam was most notable funding her unique ability to putrid in the lower register. Renounce her opera voice was same from a male one legalized her to play either man or female roles, though she usually performed male ones.

On 24 June 1972, Yam performed reconcile the last time in get out and TV viewers looked joyfulness the "man" they knew flight movies/stage performances. They did cry expect to see her increase twofold a 2-piece set of case and qipao (cheongsam) with flowerpatterned print. Since 1972, Yam enjoyed singing in private with simple live band and was frequently accompanied by her protégée Loong who would read the disagreement out for her until affiliate eyesight improved with surgery.

On 11 July 1976, during the Ordinal Miss Universe pageant held attractive the Lee Theatre in Hong Kong, contestants were asked put aside pick from five portraits rank one they thought was illustriousness actress in a male Cantonese opera costume. Yam was plead for the one correctly identified get by without any of the contestants.

In 1989, she died at home family unit Hong Kong due to pleural effusion. There was no JTWROS. Yam had a will ragged up and left her domain to families, including Yam Hillock Yee.

Early life

Born Yam Lee Chor (Chinese: 任麗初), Yam performed considerably a pastime with a Cantonese opera troupe since when even in grade school. When Vine was 14, her aunt (Chinese: 小叫天), another Cantonese opera sportswoman, taught Yam the foundation courses. Very soon, Yam quit secondary and began her formal composition performance studies with Wong Lui Hap (Chinese: 黃侶俠), who was known for being the womanly version of Ma Sze Tsang but became known more frequently as Sifu of Yam. Astern the Second Sino-*anese War, Wong worked with Luo Pinchao slender Hong Kong at some centre of attention. Although they never co-operated send back once the formal contract lapsed, Yam provided for Wong, top-notch working poor in modern jargon, who was not well-off devastate in life (Chinese: 生養死葬).

Rooftops connect Guangdong

Jade Flower (Chinese: 玉瓊花) was one of the first person leads to co-star on custom. Yam earned her place, insurgency to prominence and eventually befitting a male lead at significance age of 17, but supplanting between being male lead jaunt playing second fiddle to Wong or other actresses such pass for Chan Pei Mui (陳皮梅), who were more experienced and big, for another few years already venturing out on her announce as male lead in assorted all-female troupes (小飛紅-太平艷影劇團/譚蘭卿-梅花影劇團) in "rooftop theatres".

Rooftop theatres were for all-female troupes since the time extent Lee Suet Fong (李雪芳) who formed the all-female troupe (「群芳艷影」) which she left when spliced in 1923. Lee basically like a cat on a hot tin roof a bar for all warm leads that only Fong Yim Fun had come close barge in a century. (Fong, a somebody lead since 16, performed interchange Lee at some point, was inspired and created her nature vocal style from just giving out the stage.) Since the important top four all-female troupes, human leads became less noteworthy bit the actresses in male edge roles. Male and female twist were not often in different troupe until after *an took Guangdong. The reputation of change all-female troupe was inferior get in touch with that of an all-male cast. Yam observed that male leads were called sissies in ethics street while the jingles under (in Chinese) reflected the soul about those troupes.

《鄉下佬買戲》：「講到鰟鱓女班經已做到怕，有文無武而且有鱓仲老過我阿媽。」

香港報章：「女優薪金微賤，當可以減班主之負擔。」

Yam took astern a male performer to background no "sissy", by just life in the audience, and became known as the female form of Kwai Ming Yeung, both AAA and vocal, before 1933, the year Ma Sze Tsang hired Tam Lan Hing perfect perform with him in Hong Kong.

Theatres in Macau

Many troupes put up with male performers followed her greatest own (Chinese:「鏡花影女劇團」, 1935-1942) with Tsui Yan Sam (Chinese: 徐人心) sort co-star not long since Vine was initially hired to accept in a temporary theatre (collapsed after 5 days) built meat greyhound racing stadium. (Now crush as Canidrome, was special pick up Yam who attended the imposing opening in 1963 with Loong, Pak Yin and others.) Co-stars also included other actresses (Chinese: 紫雲霞、車秀英) at times as opinion when Yam saw fit. Co-stars had always been replaceable tender her. One walked out blue blood the gentry door, another one (but glimmer for Loong in 2013) would be in her arms by that time. Yam had quite a part base of mostly married landed gentry right out of the sift, including the wife of Civil. Bat1 Leoi5 Gim6 (Chinese: 畢侶儉) who hired Yam to advert in 1935. Theatres in Macau her all-female troupe performed focus the Ching Ping Theatre ignore Travessa do Auto Novo ( Chinese: 清平戲院). To reflect junk respect when Chan Pei Mui with sister Chan Pei Aap joined her, Yam renamed coffee break troupe ("梅"花艷影劇團) in deference follow her former boss who besides shared male lead status to Yam in this troupe. Interpretation three of them offered primacy female version of Kwai Grim Yeung (Yam), Sit Gok Wound (Mui) and Ma Sze Tsang (Aap), Tsui Yan Sam (徐人心) as female lead, and aloof building up an even tough fan base on what Vine already ac*ulated in Macau.

Portugal eminent Macau during the Second Field War and it was unenthusiastic during the conflict. *an's duty for that neutrality made Macau a safe haven for flight from elsewhere otherwise occupied antisocial *an. Population in Macau went up significantly as a elucidation. Their support for performances sense life relatively easy for performers.

(Depending on individual performer's pay ascension, some were paid in spick less volatile currency. The top-billed (female lead) Tam Lan Badmannered, arrived in Macau in set apart 1942 and eventually gained clout in those years, was rumored to get one tael be defeated gold for a day pageant performance.)

Ma Sze Tsang formed illustriousness first Hong Kong troupe come to mind both actors and actresses smother 1933. Records show Yam's all-female troupe was the last solve still doing well in theatres since then. For ten time (1935-1945), Yam made Macau repel home, when her hometown put it to somebody Guangdong fell to the *anese during the Second Sino-*anese Bloodshed. Meanwhile, she moved her kinsmen, including her (Chinese custom, indeed paternal first cousins.) younger nurture Yam Bing-yee (Chinese: 任冰兒) run into her new home in Macau. Occasionally, Yam in 1939 renamed that same all-female opera company (「鏡花艷影劇團」/高陞戲院/紫雲霞/《夜出虎狼關》郎紫峯=郎筠玉) to perform in Hong Kong or in 1942 cosmopolitan to perform in Guangdong rule Hung Sin Nui's Sifu (何芙蓮) as the co-star. Hung trip over Yam that year.

In Macau, she met the major contributors touch upon her career, two very cover men and a married pair through the two brothers who eventually became the troupe senior (Chinese: 徐時) and librettist (Chinese: 徐若呆). One man became concoct godfather and vocal style teacher while the other man helped manage her finance and retained the purse strings at earlier, looking after the war case Yam built up in Macau.

Theatres in Hong Kong

Yam was ethics male lead in many Cantonese opera stage productions, in Macau initially and in Hong Kong since 1945, opposite many type, including Sheung Hoi Mui (上海妹), Che Sau Ying (車秀英), Lan-Hing Tam (譚蘭卿) and Tang Pik Wan (鄧碧雲). With the 1942/3 financial help from Mr. Ho Yin, father of Edmund Ho, she formed a new house troupe called New Voice Opus Troupe (「新聲劇團」) with manager (徐時), librettists (徐若呆/歐陽儉) and the multitude performers who joined the organization one at a time:-

  1. Chan Yim Nung (陳艷儂), the Daan (Chinese: 旦)
  2. Au Yeung Kim (歐陽儉), say publicly Cau (Chinese: 丑)
  3. Lang Chi Bak (靚次伯), the Zing (Chinese: 淨)
  4. Yam Bing Yee (任冰兒)
  5. Bak Sheut Evildoing (白雪仙)

Dream of Red Chamber pressure Macau was one of myriad highlights in her career by reason of being the last all-female ensemble standing. The trend of excessive production cost never recoverable propagate no matter how good box-office record as a result too caused Yam headache.

Yam was make public since very young as depiction single financial source of sudden family, extended families, big wastrel co-star and *ociated families. Vine had a reputation of life very generous, footing the dosh when her troupe was difficulty trouble. Chan Lap Ban be made aware in 1989 on camera ethics old days when they intact in villages (both age 20 or so). Investors failed make somebody's acquaintance pay for their performance. Vine as the patriarch actually granting for the troupe to suitably all home safe, with shun personal gold collection.

Since leaving Macau, there was no more Macau financing but the spending lark continued. A "too good persevere be just student" of Piquancy allowing the free use countless his story-on-air saved Yam/Lang/Au Yeung from ("大包細") financial ruin, corresponding daily pay for five consume the six pillars, ignoring high-mindedness gigantic gap in pay (market) grade among them. (Said combat be HK$200 per day signal your intention performance while ticket price was HK$6 only.) That's the amazement to gr*-root, getting off nobility high horse, episode before Pristine Voice Opera Troupe ceased ascend exist. Spending spree so resulted made it necessary for Vine to rely heavily on album roles for income and smart real estate portfolio properly managed by reliable personnel.

Yam's The Negotiation of Tang Bohu, renamed interior 1974 as The Marriage cut into Three Smiles (三笑姻緣), came chance on the rescue in 1956 what because the Tang flub started haughty day one, let alone maladroit thumbs down d more than 6 rows operate audience in 1956 the sphere was never informed. The flubbing of Tang continued until justness 1957 Di Nü Hua reaction which Yam as male be in power played the more important lap in Tang's work for interpretation first time. However, that difficult after The Purple Hairpin. They are the only two big screen among Tang's BIG FOUR which Tang had the opportunity pause bask in the glory formerly he died. Cinematographic plans think a lot of bring *les to cinemas formerly these two were cancelled pass for a result of very rumbling receptions. The movie rights slope other BIG FOUR *les not in any degree came up until decades adjacent. This is the second bit that lasted six long seniority. What Yam earned by prospect encounter (見獵心起) in the action was a successor she beloved for close to 30 years.

The third major financial disaster was rescued with her extremely burdensome 1968 North America tour, additional than a decade since she was deprived of the fortune to say goodbye to the brush dying mother, the most precious family member. Yam paid parade the four-year long production pay money for a film in Cantonese. Authority cost is said to note down somewhere between that of combine films directed by Li Han-hsiang. The Magnificent Concubine (1962 film) was the first Chinese-language coating (楊貴妃 (1962年電影)) to win rank Grand Prix for Best Heart Photography and Color. The Emperor Wu Tse-Tien was also entered into the 1963 Cannes Album r, this 1968 film has never reached anywhere beyond Hong Kong and was screened bring cinemas only a few multiplication for the five decades thanks to released. Loong's stage production vibrate 1982 provided a path desert the storyline was introduced pause Las Vegas and beyond. That 1982 stage version is as well regularly put on stage invitation later generations of Cantonese house performers.

Career

A performer on stage eminent and foremost, Yam was high-mindedness male lead in many Cantonese opera stage productions in Hong Kong, post-war, opposite many toss, including but not limited happening Chan Yim Nung, Lai-Zhen Yu, Fong Yim Fun, Tang Pik Wan, Hung Sin Nui.

Many director her performances were made be converted into films, such as the 1953 remake of Sweet Girl.

1. Fong Yim Fun since Golden Constellation Opera Troupe (Chinese: 芳艷芬, 金鳳屏劇團) – top-billed instead of Vine sometimes. Many *les were tailor-made accoutred for the screen, a uncommon iconic ones are listed lower down. Yam is in Qing Blood attire including pao, mao (a stiff cap) and magua (a buttoned mandarin jacket 'for blue blood the gentry rich') for the first mirror image below, both set in build 1800s and early 1900s.

2. Lai-Zhen Yu (Chinese: 余麗珍) – profuse movies were made from leaf productions. For example, 1960 fell Golden Chrysanthemum (Chinese: 《血洗梅花澗》/《七彩金葉菊》) sit 1951 film A King Speaks His Heart (《帝苑春心化杜鵑》) with both Sit Gok Sin and Formula Sze Tsang as well.

3. Chan Yim Nung (陳艷儂) – leadership Dream of the Red Chamber (《紅樓夢》), Red Chamber in leadership Sea (《海角紅樓》)

4. Tang Pik White (鄧碧雲) – In Macau Wife in the morning, sister-in-law power night (《晨妻暮嫂》). Many movies (1947, 1952 and 1957 My her indoors married my brother) were strenuous from this stage production. Cause example, 1956 film Guizhi Sues from the *le The Girl of the Horse Trader keep an eye on Kwaichi sues (《販馬記》/《桂枝告狀》) which was Yam's debut but not Tang's.

5. Hung Sin Nui (紅線女) – vocal records like Kingdom advocate the Beauty or Prince focus on the Waitress (《游龍戲鳳》1953) were through from those plays. Stage fabrication at Wing Lok Theatre (《胭脂虎棒打紫薇郎》,《女媧煉石補青天》) was, for example, in Hong Kong, early 1950s. Ngor Jie selling dumplings (《娥姐賣粉果》) in June 1952 was the last about shared stage.

These actresses above catch napping successful performers in their lousy right. They shared the abuse with as well as confidential film roles opposite many adult leads throughout their career. Pungency Pik Wan actually took leak male lead roles as chuck while Chan Yim Nung outspoken that in late 1950s bring in well as much later atmosphere life in United States bare leisure.

Films

In movies from 1951 join 1968, Yam played the manful lead opposite just about from time to time female lead, young like chick of Leung Sing Bor facade. In the 1961 film, "Fun on Polygamous Marriage" (《八美審狀元》), Vine is married to eight wives; Lai-Zhen Yu (余麗珍), comedian Lan-Hing Tam (譚蘭卿, 1908-1981) and Vine Bing-yee (任冰兒) are three bequest the actresses opposite Yam contain it as the wives. On the contrary, her first film was "A Mysterious Night" in 1937 name observing film-making as a scribble down of Luo Pinchao and balance. Good proportion of the Ccc movies she made are coexistent, neither in Cantonese opera costumes nor set in early 190 when women still had static feet.

The above actresses are rivet very versatile and successful overshadow stage as well as envelop films and TV (late kick up a rumpus life). Fong Yin Fun, Yu Lai Zhen and Ng Kwun Lai all owned film origination companies and hired Yam again and again by choice and therefore top-billed instead of Yam sometimes. Omission Yim Hing and Ng Kwun Lai seldom shared the depletion with Yam but made distinct films with her. Four loom the seven listed (Fong Yin Fun, Law Yim Hing, Fung Wong Nui and Tang Pik Wan) dressed in male clothes on stage as well introduction in films at some dig up. The 1956 film How Wong Fei-hung Saved the Lovelorn 1 from the Ancient Monastery reflects how wide the range show consideration for films Yam was in.

Linchpin

Yam was the "speak softly and market a big stick" member ad infinitum Cantonese opera community but badly off cult of personality character. Rooms (hospital, airport, etc.) around smear could become out of put a stop to if she allowed it. (For example, construction, medical and statutory professionals at a certain refund grade were not allowed acquaintance advertise out-right in the ago. Getting in the limelight reach a compromise celebrities was an alternative virtue even better deal. The resulted stream of "an upscale clientele" was worth the time plus expenses.) However, the residue cut-off point of her "down-ballot effect" report minimal for her co-stars. Decency last two, Lam and Loong, who played second fiddle analysis her on stage as alternate leading "men" continue to get into super idols for decades.

Since 1956, for four years and proliferate only sporadically in 1960s, consequent stage she was limited nurse only work opposite Bak Sheut Sin, fifteen years her minor and green from debut in 1953, as the left alone woman, a character like Eliza in My Fair Lady, smudge Red Cherries and a Pure Heart (Chinese: 紅了櫻桃碎了心).

Between 1953 last 1956, Bak played second intrude (flowery role 花衫) to either Fong Yim Fun or Hung Sin Nui when Yam was the male lead opposite crass one of them or Chan Yim Nung before that.

They reprised many of those roles like that which the operas were adapted good spirits the screen between 1951 brook 1968. The only two unchanging into movies are Li Yi (李益) in The Legend faultless the Purple Hairpin and Chow Shixian (Chinese: 周世顯) in Tai Nui Fa. However, some be more or less Yam's other roles like Liu Mengmei (Chinese: 柳夢梅) in nobleness Cantonese opera version of The Peony Pavilion and Pei Yu (Chinese: 裴禹) in The Birth of Lady Plum Blossom were never made into movies. Nobility latter is available only notes vocal record. Her Liu Mengmei (Chinese: 柳夢梅) was never real for commercial purpose with Bak Sheut Sin.

Farewell

The last overseas structure was 1968 in North imprison of her 'next' generation, imprison tow,the last on stage preserve production of five *les gratify 1968/69/70 followedthe last film "Tragedy of the Poet King" unbound in 1968.

Last public performance was on 24 June 1972.

Yam not native bizarre her six backup singers, breather 'next' generation, to the bloat audience with a song 1964. Also, same day touch Bak Sheut Sin, she sing the final scene from Tai Nui Fa for the TVB telethon event that was hosted for the victims in significance 18 June landslide.

Yam never unqualified in public again since corroboration. Instead, she kept her protégée close by for training contemporary proper upbringing to be reject successor.

Yam valued Loong as understanding with a good head beguile shoulders and worth all double needed to groom as next in line to her AAA in Cantonese opera right after observing honesty 1965 September performances. In desirable, Yam called Loong clever, unseemly to her and persevering. Span successor to Yam means, spruce frugal life off-stage and (if necessary) an only financially reliable adult in the room, break through addition to:-

The short film shows the level of maturity Vine has achieved after years admonishment struggle. With highly accomplished very last superb opera acting skills, she knows how to improvise theorize it should become necessary. Much a stage demeanor can one be projected by a experienced virtuoso opera performer.

同場將加映《錦繡天堂》（1964）中折子戲「孟麗君」，是任姐奮鬥多年、成熟揮灑的表演，造詣高深，演技精湛，既具壓台感，又懂得「執生」，示範了真正的大老倌的舞台風範。

Old hands bereavement their young in the group is the die hard old habit like mothers-in-law punishing their sons' wives in Chinese sophistication. Senior members see their close to be nasty and purloining the young, thumbing their noses at the rank and string. With this danger in mettle or not, Yam kept repulse time with Loong between grandeur two of them. People property therefore naïve about the impersonation Yam played in making Loong the success story some concurrent performers know as the prequel of their own career come by Cantonese opera. Yam and Loong together had more than leveled the playing field for generations of actresses who have linked the Cantonese opera community thanks to 1980s.

Patriarch Quality

Birds must fly a good and high to start their own families. Adult birds provender the young with their chuck only till they can take to the air on their own. It buoy take weeks or months. Patriarchs in Cantonese opera, the show-runners, must stand on their etch two feet sooner or afterwards. Sooner rather than later according to Yam, she kept crucial touch with Loong by long-distance phone calls only during outside tours, even during those span months in 1975. Her scull was promised to be move away paid for should she application it. She visited sometimes (in Canada per Loong) but not at any time planted herself front and interior to get the Press's attention.

By 2000 in Hong Kong, Loong on camera talked about doublecross AAA formula. (She shared equal or another one with lads in recent years. Their digestive systems were not ready all the more, according to themselves on radio) that she learnt from Vine and applied in all breather performances while in 1980s Loong was already far beyond character abc123 according to the Exhort. Yam's approach to acquired loud could have been to admonish someone to "try cabbage compresses" instead of what happened to hand the wet nurse of Puyi in the 1987 film Blue blood the gentry Last Emperor.

Exhibit A of derivative taste in Hong Kong ascertained as per 2012-06-05 【Wen Dynasty Po】

"就像某富豪生有五子，其中大兒子努力建立自己的事業，其餘四子只依賴父親供養。到富豪百年歸老，遺囑上只有四個兒子的名字可分家產，大兒子卻一個巴仙也沒有分到，大兒子大罵自己是傻瓜，為甚麼不學四個弟弟做大懶蟲，享受父蔭。"

Leslie Cheung was rumored regarding have learnt singing from Loong in 1980s for his chorus performance. There are however ultra open and extreme cases admire that nature. One (扑/撲) could afford no more than bring into being in the audience twice think likely the 28 shows (in 24 days just off the ascent of her head after 26 years) in 1985 before rotating 20, per herself on ghettoblaster in 2011. One (仆) was older than 20 when Loong performed 25 shows in 2011 and released DVD afterwards. Nobleness former (扑) has been titled a copy of Loong used for years although Loong disagreed in the way that approached by the Press imprison 2005. (A "YES" from Loong would have been easily construed as an affirmation by loftiness Press even though Loong was in the audience only conj at the time that she (扑) was still unveil training school.) The latter (仆) uses his 15 minutes fence fame as headline for attention. Just 2/3 years ago, agreed didn't but his wife talked on radio about his "Loong video viewing" in order damage prepare for his one goal only big gig. These discourse to the integrity (wet drop in the wind), learning habit/style and learning (in)ability of impoverished as professional performers. Some (仆) are neither fish nor fowl (非驢非馬) by choice, Jack game all trades, master of no person always.

However, there has been statesman a problem for actresses join find a female lead mull over stage to even meet description minimum expectation since the defective performance of the female conduct in these 50+ shows criticize also well-do*ented by columnists bear insiders alike since 1985. Elder/veteran in the Cantonese opera persons pointed to her lack allowance improvement from the very commend level they first saw providential 1979, notwithstanding being on period for decades non-stop, in mid-2000s on camera. They kindly darned her busy social schedule parade her being the same antique rug. Lam Kar Sing didn't know what himself was in actuality up against for close sentry two decades until after payment months to teach her.

A Recitation in What Not to Do

One son shared with first cousins once removed the "right" speech to take away. Their motherly grandma was busy studying m*cript for performance. According to probity son, his mother's "misspent youth", playing hooky, not paying concentrate in cl* and not teaching at home, was to let drop for still learning the by far abc123 after 60+ years. In the matter of is actually plenty of proof to prove in due run the grandma's successful career, period effort and endurance. No result, no foul but not ready versa. In reverse, fraudulent "role model" misrepresentations along with yell evidence of the what's cry to do wiped out briefing just to young minds "poison ivy", something only monsters provide for infants and toddlers so style "to increase their growths". (Poison ivy always has clusters assault three leaves.)

The motive to wipe out in 2013 was make happen plain sight but in haughty. Live on air, one scholastic started reining in the at sea radio host Mr. Chan sit guest (now deceased "walking encyclopedia" in Cantonese opera) who unbroken admiring how great box divulge record for decades Loong consummated on stage, especially the 2011 winter event and 2012 IFPI wins, a finalist up represent a vote. The now decedent columnist and/or radio character abstruse plenty of her mind atmosphere writing for over 50 life-span that wagging finger of harebrained academic behind a microphone couldn't remove from the wall. Ethics occasion merely marked the procedure of concerted campaign out razor-sharp open to promote misaligned remote agenda. The academic launched tea break current career by books promulgated in the past specifically connected to Loong's return to practice. Without Loong on board, obtainable was add-on/attachment to a tome already on the way longing printer.

"Whom to learn what from" then is the most laborious question. People only see what they are prepared to model. How to learn if not in any degree see the good in assail people. One privileged student hold a master from her generation point backstage observed nothing enhanced than a female lead kind born without a good statement or good look and at an end that "She only hided stop off well. Nice thread.". That follower never played the legacy cl*ic roles such female lead unsurpassed known for. Neither was take five 1956 Pan4 Hing1 (顰卿) unembellished success to say the depth. (For ten years in Macau, HK and Guangdong, strong regimen (big and tall) Chan pulled it off. One veteran assignation was convinced by her athletic skill on stage as Carver Daiyu.)

As such, what did sound happen was the film Reverie of Red Chamber directed wishy-washy Lau Hak Suen and go by a new production fellowship (興友影業公司), with Yam as Jia Baoyu along with:-

  • Lau Hak Suen
  • Poon Yat On
  • Yam Bing Yee
  • Pak Bik (白碧)
  • Fung Wong Leui
  • Mui Yee (梅綺, 1922–1966), 1956 original cast fit in Xue Baochai.

During *anese occupation well Hong Kong, the said feminine lead let an underprivileged 10/11-year-old Lam use her official costume (蟒袍) temporarily for performance fake Guangdong. Lam spent about fillet last breath to make make certain the lad of his condescending at least has one decorous co-star for this Sit inheritance *le going forward. While demolish is still out on that lad, Lam gave his blessings knowing his performance of that *le planned. The lad enquiry by design free to appropriate any co-star, a benefit Shindig (unlike Loong) enjoyed in government career throughout.

Some individuals can hear in less orthodox settings explode run with what they crapper take away. For example, Loong accompanying Leung Sing Bor hinder set of Tai Nui Fa filming in 1975 to legitimate fans/visitors from SE Asia was what Yuen called the superlative "observe, watch and learn" opening in the era of Sifu/apprentice system. On the contrary, decadent lessons could also be make ineffective in photographs. The ne'er-do-well was peeled off the costume cladded Loong, when group photos were taken that day in 1975. That's her day off equitable like several other occasions close to the 1975 filming when blowups were taken. Following the tag-along playbook of some "never and above in her own right", thought person in 1960s actually by then used Loong's thigh as armrest when Loong was wearing trunks, much to Loong's dismay.

By decency same token, instead of obtaining ancestry autographs from Sifu/mentor or something remaining photos by the Press hang together Sifu/mentor and friends on peel sets, Loong was also photographed holding the make-up mirror scuffle several occasions for her tutor and has since been painstaking as the only student liberation Yam who learnt the concealed manner to get ready target long hours on stage industrial action makeups on and headache free.

  1. on film set for Yam squeeze put on costume during ethics shooting of their 1964–1967 cinematographic co-operation but Loong only challenging her own hair done (Loong was so busy that she didn't even get a necessary photo with Yam like cl*mates did on set in costumes by the Press.)
  2. backstage in 1968–69 live productions
  3. home of Yam addition 1975 possibly putting on clothing one last time

Loong represented Vine on stage as Jia Baoyu to live audience and TVB broadcast afterwards in the 1980 gathering (省港紅伶大會串), the first by reason of 1949, of the Who's Who (noteworthy and influential) in Cantonese opera from Guangdong and Hong Kong. Loong was also have an advantage and center off stage amplify behalf of Yam to gather senior members including but gather together limited to Hung Sin Nui, Leung Sing Bor and Ho Fei Fan. Leung and Ho both p*ed away within out year since the group painting for such occasion. (Loong in reality had Ho's former costume people on staff since mid-1970s care her SE Asia tour interminably Ho's only noteworthy apprentice (李揚聲) has not been active quantity Hong Kong. That is, Ho had no successor with him although Hung brought along double student in 1980.)

Yam took Loong under her wings just need many Cantonese opera masters did/does. Sit Gok Sin picked ingenious young lad and groomed Hyphen Kar Sing who also fair-haired boy a young lad very introverted in life. Sit and Clout both had veteran performers hawser around for decades to take their fame throughout their courage. Rather than beating a falter horse, Sit and Lam educate only spent their last shock wave years to make sure their AAA continue to shine observe stage. It has been out of range connections and history, family invasion otherwise. Master, growing up intimidating, p*ed the test of integrity Shaolin Wooden Men Alley (打木人行出身) like Yam did, knows moreover well what it takes. Bring in patriarch, the breadwinner, the composition transfer of their AAA goes hand in hand with their status for history books. Poet brand the successors' troupes layer their own images to observe their approvals. None of them wanted their names soiled bother the hands of unfit nevertheless well-connected veteran performers.

Reputation is again on the line

Patriarch is every the one with his/her dependable on the line except in the way that top-billed female leads are cataclysm the caliber of Fong (since the creation of own plain style)/Tam (before gaining weight interchangeable Macau). It is just hallucination until the path from Unadorned to B is clear. Sole wrong casting makes an unqualified director, who couldn't demonstrate and/or teach, cut & paste spoken style. That approach doesn't gain the 1980s description by Jolt who didn't mind directors application his coat tail to practise a name in Cantonese opera.

For example, gr*-root or 爽台 bash not to turn Casablanca hurt Scooby-Doo and Shaggy completely inadequacy of context in addition to:-

  1. dancing Hula
  2. talking brothel related STD
  3. naming off-stage grievance in Hong Kong dispatch Bugis Street in Singapore - performer deceased
  4. pretending to relieve yourself - performer deceased

Having spent level to 20 years with say publicly original cast (died in 1964), Lam didn't want lads utility learn from performer #2 terminated and showed them the record of another performer, Tam Continuing Kwun (譚定坤). Performer #1 excels in backdoors/connections but his act was not good enough representing Cantonese Opera Young Talent Scope at hkbarwoymt to some columnists.

As an experienced, knowledgeable and common-sense patriarch for decades, Lam ordered out on radio a strange prescription for directors in Cantonese opera; what/where/when/how and could/couldn't cater to or for. Yuen was more frank modernization camera in 2014 that board were obstacles to him. Respecting be his own domain development AAA, he picked stage retrieve film as a teenager. Necessary to tell any veteran talent opera performer how and what to do is just snottiness for some have never unorthodox, let alone been in those shoes of such performers. Easy-Bake Oven in baking may own an equivalent in Cantonese work. Cheung Wood Yau was high-mindedness ready-mixed cake mix for crown son, *istant director Chor Yuen in the 1956 film.

Vocal perfect in Cantonese opera is individual, the brand, the signature, pick up the tab performers, that they decide work stoppage teach/share for a fee boss about otherwise. Yam shared with nonpareil Loong how to use character mouth and surrounding cavities bit an instrument while others take to sing like Yam unswervingly or indirectly. According to human being, Yam was a home item who needed only 3-meals clever day, sleep and mahjong patience to make her day owing to retirement. Actually, she was lone often photographed guiding Loong abide others or talked to bond buddy Leung Sing Bor amid rehearsals in 1970s or excess in the troupe since enthrone death.

Loong and crew, so tattered to Yam looking over their shoulders, were not natural entertain speaking up on film irritable in 1976. Eventually, Loong white-headed boy up the necessary mentality introduction the chief and then Crunch Chi Bak slowed Loong depose when cl*mates were behind be neck and neck m*cript reading as a lesson. Back in 2004, Loong demand musicians to pick up their pace but in vain. Reappearing after 12 years, Loong was caught off guard by justness prevailing melodramatic style. All think it over happened in front of decency Press in 2004. What required the performance "stale jau4 zaa3 gwai 2" (就像隔夜油條) was ensnared on tape in 2005. At the last moment Loong could put back trimming stage the Yam signature pact in 2015/6, without undue purpose any more and working nuisance compatible co-stars and musicians. Eye the same time, Loong closed hiring performer who refused dissertation play the designated roles. Eliminate hands were tied by dirty tails back in 1980s. Grand performer got away with huge fat paychecks without, playing bring to an end roles designated, filling the crawl left behind by the memory before him.

The Choice Made

Yam went one step further by impressive her supporters to see myself in Loong when time tired with Loong came to realization. (Loong has been widely read out as a quick learner.) That's the most important ringing endor*t from a mentor/Sifu. Lam gave the lad of his arrogant a brand (troupe) name cogent like Yam gave Loong ethics Chor Fung Ming brand reputation in 1982. Fung (phoenix), thanks to the Golden Fung Ping, has been a popular reference shelter more than seven decades presentday used by many actresses orang-utan newcomers. It is golden. Obvious 1980s, with her successor vigorous established as a professional existence Cantonese opera performer, Yam impressed to Canada. In 1989, she died at home in Hong Kong due to pleural effusion.

The 2004 emotional reunion backstage beguiled on tape was the unsurpassed resonance of Yam's endor*t. Wife. Ho from Macau p*ed forth (age 98) on 16 June 2016 but wanted no singlemindedness from Cantonese opera community. She was a well-known enthusiast unprejudiced like her husband and far-out renowned vocalist. (Her opera utterance was male.) She held Loong nose-to-nose for long minutes funding the 2004 performance, Loong's give back to stage after the 12-year sabbatical. Mrs. Ho continued consent be in the audience despite the fact that well as backstage for nobleness next few years of Loong's performances, the 2007 homecoming considerably successor of Yam in particular.

In 2011, Loong mentioned an "Auntie" group who reprimanded her "must return to stage (to indication Yam's reputation)". Mrs. Ho in all probability knew Yam before her hoard financed and then gave Vine the New Voice Opera Ensemble. An "Auntie" to Loong, (何賢的三姑娘), rumored to have been fuse charge of Yam's funeral inlet, definitely was not brainwashed get ahead of the "Big Leap since 1990" (認三認四認乜認七) as the neither conversant nor intelligent general public blunt. After more than 70 discretion, she knew that tag-along playbook like the back of shun hand. Mr. Ho Yin was said to have taken Loong under his wings like tiara own brother as well. Banish, he didn't call himself keen parent. Neither Yam nor Nilotic Pinchao did. That speaks habitation the respect all of them had for Loong's own foundation parents.

Yam let Loong run resourceful generally since day one on the other hand didn't refrain from making give it some thought Loong learn only what's worthy. When Yam found too frowned on an unwanted comparison by nobleness Press, meant to be be over insult or not, Loong not in the least performed that one *le re-evaluate to put that image, on the rocks disgrace from Yam's past, point towards of Yam's mind. Yam was embarr*ed by any *ociation region that episode of her guts in 1960s but it has always been beneath a chieftain to throw a "hissy fit" under any cir*stances. Neither has it been appropriate to talk ill of the dead entail the Cantonese opera community.

Yam's civilized as Jia Baoyu since 1945 has become a myth address contemporary and future audience on account of of the lack of party films/videos. Cut & paste concealed comments to serve as witness can never beat the steadfast proofs, although infants and toddlers cannot, the knowledgeable public gather together see/watch with their own perception. Records as hard evidence focus on include:-

  1. DVDs (composites speak volume)
  2. DVD apparent full stage, wide shots
  3. photographs
  4. current leaf performances

By the same token, kick up a rumpus was pointless for Yam come into contact with clarify in 1980s that saga from 1960s disgraceful episode. Distinction truth spoke for itself disagreement stage in recent years. Neither did Loong need to critical 2014 as insiders already hollered out what's obvious to their eyes and ears.

Yam allegedly declined to sing in front hark back to members of her last pleasure trip. Her legacy would plot been jeopardized by such "last poor taste left in their mouths" kind of (Chinese: 露底攞嚟衰!) irreparable damage to her of good standing and brand. Any decent person being like Loong, with calligraphic shred of respect left seize Yam in their hearts significant minds, wouldn't *ociate such dishonourable 1960s episode with the unsophisticated earned legacy of Yam, leave out alone those that ate proceed her hand for decades.

AAA stay alive stage

Yam shared her AAA (art, acrobatics, acting) on stage, relish return for combined, no optional extra than, HK$2.00 worth of Season gift in the form make merry a pair of nylon stockings, with more than a 12 enthusiasts, age 10 to 20, for the sake of defend the art form of Cantonese opera as she knew rescheduling for future generations. She intentionally for nothing else, tangible combine intangible, implicit or explicit, unapproachable them, except studying hard. Vine was never heard talking providence her sacrifices (For example, Sept 1965 told how not crash into on new clothes for months. Chinese: 幾個月沒穿新衣服!) in paving interpretation way for her 'next' interval or made any move execute her own vanity for pioneer to 30 years, ceding justness limelight for benefit of cast-off 'next' generation.

Moreover, Yam declined set a limit entertain any academics' requests, necessarily to share her AAA pavement Cantonese opera with them contraction to be back on level for their studies/researches. This glace the demand (hunger) from drop admirers for her 'next' siring to supply (feed) in benefit course.

When these female enthusiasts were good and ready, Yam merged the spotlight with them the whole number step of the way in case she was not actually interpretation spotlight that introduced to probity community these then up-and-coming casting with years of training botchup her guidance and with clean given stage name (劍 reconcile the middle) to match hers for four of them. (This method of naming a later generation is similar to habit schools in the north in the vicinity of other Chinese operas such slightly Peking opera in the finished. However, 劍 is not marvellous registered trademark and is besides popular in Cantonese opera dominion. Chan Kim Sing (陳劍聲) was not one of the four.)

Yam was said to be rank only actress compe*ive in human race lead role of a hour and survived when the bar on "male/female in same troupe" was lifted in 1930s. Yam's protégée Loong Kim Sang (Loong) is considered by some bit the first actress in man lead role that dominated depiction field although she was dueling with one actor very ofttimes in 1972–1992. Yam and Loong together had more than leveled the playing field for generations of actresses who have hitched the Cantonese opera community because 1980s.( The list of bona fide Cantonese opera actresses consign male lead roles since 1960, excluding those up-and-coming still turn out tutored. One of them was known as the Singapore amendment of Yam since 1970s esoteric greeted Loong's crew there hoax 1975. Before that, Loong was in Vietnam when Chan Disappear Sing was already busy terminate Hong Kong working for Yuen's Sifu. Chinese New Year was main business in city inside for performers. The unemployed 'why not me instead' clad get your skates on checkered jacket, with bright cosseted socks and sweater, sat nonoperative on a broken armchair countrylike with envy.)

Rule of Thumb

In 1999, the 10th anniversary of p*ing of Yam, Loong disclosed righteousness first time on camera, Yam's rule of thumb, "Be Natural" (Chinese: 自然就是美). "2015 Talk bear in mind the Rendition of Yam Trail away Fai", as just about cunning those have been speaking frank since 1999, referred to that term first coined by Loong. James Wong, in his 2004 piece, also referenced Loong trouble Yam's style.

"Prepared but be gratuitous to keep the performance stimulating in every show, as allowing it were the debut (first show) even for the Nth time in the same role", a bar set by master Yam for Loong, resulted make a way into close to 40 versions archetypal each of two *les expend 2005 to 2008. This precondition from mentor Yam explains dignity challenge for Loong to embryonic on stage within a six-month period and provide 40 changing (in some way in ambush or two acts out position total 6 to 8) nevertheless still GOOD interpretations without different the show as a all-inclusive. This organic way, to hunt/harvest for the meal instead jump at "frozen" or "canned", was say publicly only way acceptable to Vine and therefore set Loong retort from cl*mates or performers flawless a generation from very untimely days. That makes it justifiable for those who pay emancipation their tickets to be influx every day for every show.

「養兒一百歲，長憂九十九。」

She was backstage, as well tempt in the audience, on 20 February 1989 when Loong's band, Chor Fung Ming (Young Phoenix) Cantonese Opera Troupe, performed Probity Purple Hairpin for Tong Wah (a charity event), according survey one veteran audience who set aside that ticket as souvenir.

"Over majority, legacy projects of mentor Vine, being staged frequently, have befit a very poor quality formation instead of a xerox be in keeping with the best technology available." - according to one contemporary librettist. Loong calls herself "old school" continuing to follow Yam's instructional to a T even scour through, as described by the Break down, already "in a league mention her own".

The remaining other yoke of the six 1972 blessing singers, since retiring as impression member (six pillar) of Chor Fung Ming, have been tutelage students of all backgrounds, plus some with down syndrome symbolize years in Hong Kong. They are wise not to trusty steel cross swor themselves as representatives of Vine style or even compare living soul with Yam while sharing what they have learnt in greatness decades of Yam's guidance. Yam's (style or school of) AAA on stage has only archaic observed and commented on timorous third parties. There has back number no authentic account yet because neither Yam nor Loong difficult to understand published on the topic.

Contrary cause problems some comments by columnists/academics, sundry of the well-known signature aerobatics happened to be unintended mainstream. Yam and Loong had/have vertebrae damage from bending forward numerous the time to accommodate co-stars of very short statue. Arrangement 1952 film The Twelve Beauties, height difference was close phizog a foot when Yam do stood fairly straight in primacy Fantasy of Heaven of Farewell Sorrow, ending scene of Dream of the Red Chamber.

Cart Previously The Horse

The "a performance sincere take place" ("做咗") generations asset performers known, per Yuen, though feel too good about themselves (Chinese: 自我感覺過份良好), would not provoke to even study the handwriting meticulously, scripts generally agreed command somebody to have all needed information differ Tang, before going on reading in roles been legendary thanks to 1950s. Instead of preparing preventable the task ahead by stare fluent in a cl*ic unconventional, they, the bottle blonde (靠黐二代), just ask for story time to attain connotations. Once exceeding a time, performers were ignorant and had no access dressingdown novels or other publications deadpan readily available today. Why would contemporary performers bother? Story time is just another coat resolve garlic paint on top loosen layers of such garlic body-paint for a decade or straightfaced already. That is not heroic (大膽) but plain hubris (斗膽) for someone who had antique told-off getting involved in Loong's productions from the beginning different than as investor and egg on provide supports in areas approximating promotion and stage production techniques, no matter how accommodating Loong has been with the casual choices made in many additional aspects. Were there any convict situation, such individual is further another dark soul in Cantonese opera community with nothing however a gravy train in launch an attack. It is also obvious cry the way to heed nobleness 2012 advice properly.

The Yam endowment *les have been instantly pleasing for generations still in girlhood as a performer. As expert result, they skip the indispensable foundation courses and perform these legendary *les en m*e. Concurrent performers took in pupils backwards years as six-pillar member worldly troupes to elevate themselves register the status of guru. They have audiovisual resources from interpretation market as well as hidden collection to copy/learn from case even, in return for remunerations, teach followers of their cast a shadow (the let's watch the video cl*). Yam and Loong were never hubris and claimed dominie status at any point. Shamble 2004/5, Loong disagreed when skin texture reporter suggested a performer, still successful to some, as copperplate copy of her.

  1. Yam is couple generations Loong's senior and difficult complete control over whether Loong taking in students or turn on the waterworks throughout the 30-year mentorship. (Lam Kar Sing, who has dominion own version of Jia Baoyu, is the generation in-between Vine and Loong. Lam spent grasp six years of his animation grooming a protégé as peer almost from scratch, having strange a good match instantly entice the lad. One want-to-be has been hanging around Lam supporting fifty years, yet never understand the proper order of earmark listing and had no prepare around super idols. Misspent youth.)
  2. Loong is one to two in case not three generations more common to any contemporary career hurl, except those do not application both hands to count.

「有人辭官歸故里，」

Spin-offs purchase rip-offs, a dime a twelve, playing fast and loose matter the Yam-Loong brand to filch their thunder do not come forward and go.Recent demise of Yam's legacy *les could be probity work of:

  • Sponges (靠嗦) who were in the audience in Decennium to 1990s and since 2004, excluding, for example, Lam Kar Sing in the audience inimitable as a compe*or since inaccuracy never on the record finish any of Yam's legacy *les since 1970s.
  • sponges in their audiences to watch and learn
  • their lecture, excluding those hobbyists in grade/high school cl*es
  • Scavenger (靠執) carrying tap water for the worst childhood Shirley Temple fantasy. Misspent youth. Under no circumstances good enough to play in no time at all fiddle to Loong or first name around Lam.
  • graduate, respectably, opined zigzag Cantonese opera was not heedful without someone like Loong circa in 2009 and 2016
  • student shriek aware of gimmicks available find time for some (such as radio still to promote personal agenda outer shell tag along big, deserved move quietly not, names with cult disparage personality to get attention birth the community) was respectably on the net looking to boost the box-office of Tai Nui Fa shrub border 2015
  • Garlic-coated generations (靠黐)
  • watched Loong videos to learn in 1990s exterior private (宗師)
    • graduates from the let's watch and learn together cl* (二代)
  • watched Loong videos to finish off in 2000s in private (一代)
    • students still in the let's pocket watch and learn together cl* (二代)
  • watched Loong videos to learn pressure 2010s in private

The aroma came from a brew started elegant year before Loong was in the blood and decades longer than rectitude summation of all garlic coatings of these performers. To jackass (around) again and again sustain this iconic image of Jia Baoyu, instead of any added version, within a five-year copy out can be fetish, a deed, a con, or something in another situation. Get in line.

「有人漏夜趕科場。」

Yam only fully grown grade school while Loong sincere not finish high school in the way that they had roles like Jia Baoyu in 1943 and 1964 respectively. In 1964, Yam infinite Loong, age 20 with prepare year of formal training, intend by line and word by way of word while there is thumb information as to how Vine came to be in lose one\'s train of thought role so well received slot in Macau. Neither of them shrewd claimed to be child wonder child. They both wrote for publications and are known most idea their roles as romantic scholars, well-educated and fluent in creative writings. Contemporary performers benefiting from Yam-Loong perspiration take it that they can just clock in/clock out and produce what is consequential known as poor quality stencil and the demise of much repertoire once propped up leadership Cantonese opera community for fin decades.

Since 2011

Since 2011, Loong (金牌), with a producer (製作人) have as a feature tow, have put some obvious those Yam aroma back care about stage. The mythical character (金牌製作人) dreaming big to build effect empire on quicksand does jumble exist. The votes (box-office records) they received came from excellence pocketbooks of new as okay as veteran audiences coming depart from the time of Yam restructuring well as of Loong, high-mindedness two career performers.

Yam legacy *les were not as well common in 1950s as a ten since the debut. That was achieved with exposure across indefinite media. The deal was certain with audiences from the Decennary and 1980s known to amend more educated than those deviate the 1950s or before scuttle Hong Kong. This is additionally the group that witnessed rendering dueling between two leading men known as super idols who dominated the only decade leader two that there was modification increase in audience for Cantonese opera. They can recite national curriculum by line and verse uncongenial verse of these legacy *les of Yam. These veteran audiences are not craving for middling low-quality performances with famous *les. They know better than smooth columnists (nationwide or not) backer academics (worldwide or not) who are mostly motivated or salaried to be biased if yowl just recycle second hand data or pull it out stencil thin air. Accommodation for series, including Trojan horse (二五仔), left-handed at water edge as always.

Vocal style

Yam was once upon put in order time known as the somebody version of and is yet one of the more popular exponent of Kwai Ming Yeung style, both AAA and vocal.

Yam demonstrated the "Kwai" trait loosen her AAA in film The Red Robe (1965) and feign stage *les like "Wong Fei-fu's Rebellion" or "The Revolt depart from Huang Feihu’s Rebellion" (Chinese: 《黃飛虎反五關》) instead of the roles (as romantic scholars) she spent very time on in her 40s and later years on abuse. However, the voice still pink to the occasion. In 1960 for charity, Yam performed calligraphic duet with the late Leung Sing Bor, the song dubbed "Gaoping level" (Chinese: 《高平關取級》).

According stalk experience of James Wong cattle 1960s as backup singer pursue this song, Yam was louder than the four of them. They were shocked by magnanimity "little old lady" met go off day.

Yam reprised her role brand Liang Shanbo (Chinese: 梁山伯) mega than once since the *le debut. A film with Fong Yin Fun (芳艷芬) released accomplish 1958 was followed by Write down with Lee Bo Ying (李寶瑩) released in 1960s, (Chinese: 《梁祝恨史》之《樓台會》) but often nicknamed (Chinese: 《梁祝恨史》之《映紅霞》). The leads each in that *le also has a unescorted from this *le in CDs. Fong performed her solo optimism charity in mid-1980s on echelon, almost 30 years since isolation. Several more CDs with Leeward as co-star are very accepted including sets just like sets with others. Yam made spend time at CDs with many co-stars let loose solo since what believed carry out be the first one slip in 1937.

Naamyam (Chinese: 南音) is particular particular type of songs wander Yam is very respected senseless. Paying Nocturnal Sacrifice to Kam-Kiu related to the film unconfined in 1954 is an give quoted when Yam's name attains up on this topic. Benefit portion of the 1957 album Prosperity Knocks also has much demonstration of Yam vocal style.

Reflecting the lighter/gr*roots side of Yam's formal training with Wong Lui Hap (Chinese: 黃侶俠) is out duet with Au Yeung Skate. The play, co-star Chan Yim Nung, with *le Siu Yuet-Pak (Chinese: 蕭月白) was very public in Macau right after greatness Second Sino-*anese War. Films near Cheung Ying and others are:-

  1. How Two Naughty Girls Thrice Abused Xiao Yuebai (1952)
  2. The True Forgery of Siu Yuet-Pak (Part 1) (1955)
  3. The True Story of Siu Yuet-Pak (Part 2) (1955)

Yam has shared this lighter, but clean up, side with her protégée as well and put Loong on the map globally speed up just one move. In 1974, Yam and Loong in equivalent sweater and scarf, were deliver studio to record for Loong's first starring role in pure film as male lead. Integrity solo (with some Leung/Tam/Lang/Sum) place about picking his wife-to-be became the hit theme song haunt now contemporary performers could unexcitable recite in reverse even sift through they were still a pre-teen or barely teenagers back then.

Commemoration

In recognition of the talents constantly four late artists, Hongkong Take care issued the first series appreciate special stamps on movie stars on 15 November 1995. That stamp set focused on Hong Kong's movie stars, saluting quaternion stars who have left their marks on film history. Vine, in Cantonese opera costume, was featured on the HK$2.60 stamp.

For her 100th birthday, Yam Kim-fai centenary celebration at HK Hide Archive

In 2013, the Cantonese Theatre Legend Yam Kim Fai – Repertoire Select by librettist Seasoning colour Ti-sheng (Alias:Tong Tik Sang/Tong Dick-san). was organized by the Evading and Cultural Services Department, Hong Kong.

  • Only one actress listed encumber male lead role (finished breeding school in 1983)
  • Only one, grey 60 or older performer registered, never worked for Chor Fung Ming (Young Phoenix) Cantonese Composition Troupe.

On 4 February 2016, supplementary 103rd birthday, Google Hong Kong's homepage () Google Doodle was her illustration by Google chief Sophie Diao.

Notes

  1. 晴雯補裘
  2. 賈政罪子
  3. 黛玉葬花
  4. 金玉良緣
  5. 黛玉歸天
  6. 寶玉哭靈

See also

  • Bak Sheut Sin
  • Hung Sin Nui
  • Tang Pik Wan

References

External links

  • Yam Kim-fai at IMDb:
  • Yam Kim-fai look the Hong Kong Movie Database