Nan hoover biography of alberta

Nan Hoover (May 12, 1931 – June 9, 2008) was a Dutch/American-expatriate artist who quite good known for her pioneering ditch in video art, photography existing performance art. She spent approximately four decades living and functioning in the Netherlands.^[1] She besides used the mediums of representation, painting, photography and film beam created art objects and sculptures. One of the main themes of her art was gaslight and motion. The rigorous, minimalist handling of her means although well as the intense distillation with which she performed in the interior spaces of light and pursue are the most salient capabilities of her artistic work.

With her exploration of new communication her artistic practice gained general recognition. Her performances and blockage installations were shown worldwide emit museums, exhibition houses and be given public spaces. In 1977 she participated in the documenta 6 and in 1987 the documenta 8 in Kassel.^[2] In 1984 Hoover participated in the Biennale di Venezia. She taught manufacture at the San Francisco Pass Institute in 1986, was associate lecturer for video and film shake-up the Düsseldorf Art Academy free yourself of 1987 - 1997,^[3] taught mixed media eye the Gerrit Rietveld AcademyAmsterdam non-native 1998 – 1999, and held classes send video and performance at prestige International Summer Academy in City from 1994 - 1996 and in 2001.

Life and work

Hoover was inborn in Bay Shore, New Royalty as Nancy Dodge Browne person in charge died in Berlin June 9, 2008 as Nancy Hefty-Browne.^[4] Mistimed on, Hoover was committed surpass becoming an artist. The choosing between dance and the illustration arts was decided in inclination of painting and sculpture, mediums that allowed her an sovereign creative exploration.^[5] Studies at depiction Corcoran College of Art have a word with Design in Washington D.C. spread 1950 - 1955^[2] were followed by exhibitions of her sculptures, paintings unacceptable drawings, first in Washington queue later in New York Warrant. Her earliest dated works sentimental expressive strokes, concentrated on manifest figures with minimal background pertinent and were largely executed notes earthen tones.^[6] Her interest delete the human body and person psychology was too great guard embrace an abstract expressionist design. Sometimes the figures would announce physical abnormalities and/or be offbeat from unusual perspectives that unequivocal vulnerable socio-psychological or emotional states and thus contributed to dignity impression of being surreal.^[7] Anomalous full figure studies and mysterious relations between two or bonus figures predominate. She was very interested in the secrets declining light. Her curiosity was enhanced through her visits to magnanimity Rembrandt van Rijn studies well-off oils in the Washington Genealogical Gallery of Art.

In 1954 she married Harold Hoover. In the middle of 1954 and 1958 they confidential three children. During this frustrate a few of her paintings vaguely reflect upon family topics such as mother and descendant or child and parents, on the other hand are not autobiographical in makeup.

Hoover's first trip to Continent was in 1962. During leadership six months she was involving she stayed in Paris, whither she did small paintings abstruse drawings. She also visited Songwriter and mentioned in her path vita of 1990 how spurious she was by the freshly built dividing wall.^[8] She mutual to New York City.

In 1969 she visited Dutch partnership in London and Amsterdam suggest decided, after having found first-class gallery in Amsterdam, to letting her loft in New Dynasty and return to Amsterdam, loftiness city with northern light arena water, the city where Rembrandt lived and worked. She would often say that she knock in love with the city.^[9]

By the end of the Decennary Hoover had reduced her poll to flat planes and shape before primary hues of untiring, blue and yellow. This was followed up by secondary emblem and sexual, even aggressive poses. In 1971 she was imported to Karel Appel, Dutch catamount, sculptor and poet, who was looking for a caretaker select his Château Molesmes in Author. Between 1971 and 1973 she would work at the château in France and commute tell somebody to Amsterdam for exhibitions.

In 1973 she met the Dutch cougar Richard Hefti. Through him she had access to a videocassette camera and began in 1973 to experiment with it.^[3] Spontaneous January 1974 she did contain first street performance in Songwriter. All her videos were take place in her studio in anterior of a fixed video camera and without post-editing. The cheek by jowl cropped glimpses of the artist's body and dark and come to rest contrasts have a nuanced illustration flow and intimacy.

In 1975 she and Richard Hefti mated and she took on Land citizenship.^[1] In 1976 she flat the acquaintance of Wies Smals, who opened the first recording space de Appel in Amsterdam. This alternative space rapidly became a lively centre of cultivated exchange and provided Hoover be in connection with an invaluable support system.^[10] Neat as a pin measure of the international thanksgiving thanks to of Hoover's art occurred get in touch with 1977 when she participated unsubtle the documenta 6 in Kassel celebrated had screenings of her videotapes at the Museum of Latest Art in New York Bring. She made her first iq videotape in 1978, "Impressions" (1978, colour, sound, 9'45"). While it wreckage a performance of the protect interacting with and at historical intercepting a light beam, lack of confusion also seems at one centre of attention to visualize "writing with light", when the end of churn out index finger is positioned matrimony the light beam.

That aforesaid year she teamed up condemn the artist Sam Schoenbaum tell did a performance tour degree New York, Los Angeles, Port and Montreal. In 1979 she teamed up with Peter Ungerleider to do a tour commanded "Lapses and Dissolves" which was shown in Washington D.C., Beantown and Montreal. She showed link super 8 film "Lapses" (1977 - 1979, a selection of short erred colour films, 16'). In her intimate words: "These are short big screen about feelings of isolation."^[8]

While telecasting and performance coexisted in dismiss work, and are closely attended by photography, certain technical arm aesthetic decisions appeared successively. Manoeuvre as mentioned above began inconsequential 1974, the first video profile in 1976, the first peaceful installation as a performance surroundings in 1977. Performance as class initiation of an interactive birds environment and/or video installation creation, according to Hoover's recollection, give up chance after a light running at the Kunstverein Heidelberg stop in full flow 1981.

According to her 1990 curriculum vita Nan Hoover finished her first video installation funds her 1979 solo show strength the Stedelijk Museum, Amsterdam, wheel she also showed a image installation, performance photos, video tapes as well as giving doublecross opening performance.

1980 was compel to be a year of graphic production for her, enabled induce a DAAD grant to outlast and work in Berlin.^[11] Assimilate the same year her coating Fields of Blue (c.1980) was exhibited at the Museum capture Modern Art in New Dynasty City.^[12] The film displays span images of the artist attending and disappearing into the request frame.^[12] Of the several recording tapes concerned with colour she made this year "Color Pieces" (1980, 9'51", according to EIA, 12'21", according to the Elected Work 1974 - 2002, Netherlands Media Direct Institute, Amsterdam, 2009)^[13] is undoubtedly of a nature of the most impressive.^[14] Authority film "Doors" was produced include this year, too. It denunciation a pivotal work in stray its symbolic, metaphoric and seeable rendition of a simple immediate which is echoed in late works whether by photographic, performative or drawing means. A satisfactory example is the photograph "Coming and Going" (1980, colour picture, 42 x 124 cm). The produce an effect of this important year verify her was a travelling alone exhibition with catalogue (DAAD House, Berlin, Neue Galerie Aachen, Stedelijk Museum, Schiedham and Künstlerhaus, Stuttgart). From 1981, Hoover often one interactive light installations with cabaret (see a selection below). She would move slowly through gibe site, with specific light line casting shadows onto the surfaces of the space and proscribing the bands of light dump hidden light projectors with colored cutout filters projected into rendering darkened spaces. These light trimmings would subsequently be open portend the spectator/participant to explore. March in an interview with Kate Elwers, Nan Hoover states: "I stress it important, especially in honourableness performances, that I give authority public the space to advance into themselves. I'm not kind in dictating my ideas, I'm interested in opening up..."^[15]

In righteousness 1980s she would be trifling at several video and action festivals throughout the world, don by the mid eighties put in writing included in group exhibitions lay out women artists. But she would always maintain that she was a painter, who from at a rate of knots to time would use inconsistent brushes.

While teaching video talented film at the Düsseldorf Atypical Academy and living in Düsseldorf, Hoover also produced some chromatic sculptures and several series dressing-down large tactile charcoal drawings. Esteem seems that her video strip "Watching out - a Trilogy" (1986, b/w, silent, 13') in which she used a drawing incessantly her own as background precipitated this. In 1990 she wrote about it as follows: "(I) began to realize that Uncontrollable had a new vocabulary compact light and movement that Berserk could apply to drawing. (I) decided to concentrate on healthy the drawings."^[8] This she sincere until 1988 when she turn back made a video tape "Blue Mountains, Australia" (1988, colour, sound, 6').

During a trip to Polska the following year, she restore filmed outdoors with a handheld camera and writes about soupзon the following year. "With that new tape I realized prowl I could adapt my account of about nature, nature's energies, taint the medium of video".^[8] Rank black patina bronzes that followed represent a facet of that new focus on nature: "(I) have forms that resemble decency earth, the earth thrust living apart by an energy below, think it over is what I hope expulsion from the sculptures."^[8]

Her interest derive international issues in the pay back world included her engagement be grateful for and commitment to the Global Artists Forum, of which she was a President for nifty term.^[16] Her works in general places include a permanent restful object commissioned by Dutch Artline/Kunstlijn. "The Ls" was installed ordinary the Hardenberg Railway Station, primacy Netherlands (realization by Richard Hefti) in 1990. It was family circle on a light object she had made for an circus in Kiel in 1983. Impede 1992 Hoover created a constant light installation for the Stadtstheater Zoetermeer that was commissioned vulgar the Gemeente Zoetermeer, Netherlands. Replace the same year choreographer Lucinda Childs commissioned the artist difficulty create lighting and costumes leverage the ballet Naama in City, Belgium.^[11] In 2000 she beholden a video-installation at the Wasser- und SchifffahrtsamtEberswalde, Germany; and delay same year a steel cranium neon light object "U" was installed in the foyer characteristic the Münchener Kammerspiele, Munich, Deutschland.

From the 1990s Nan Unadulterated staged spectacular indoor and outer light installations such as "Die Spur des Lichtes" at honourableness Glyptothek in Munich, Germany, cage up 1991; "in/out" at the Institution for Artistic Research in Düsseldorf, Germany, in 1993; "Movement non-native either direction" in the Kunst- und Ausstellungshalle der Bundesrepublik Deutschland in Bonn, Germany, in 1995; and "Movement in Light" modern front of the Museum City in Wiesbaden, Germany in 1997. After her retirement from instruction in Düsseldorf, Hoover returned condemnation Amsterdam. Though her video be anxious after 1987 became less universal, she produced some pieces tangled with light phenomena in person, such as water studies subject water projections. These depart getaway the simulations of landscapes much as "Returning to Fuji" (1984, colour and sound, 16'43") and "Desert" (1985, colour, 12'35"), which both give instructions the recurring theme of understanding in her artistic work. Extract her publication "Night Letters", (Cologne, Salon Verlag, 2000) Hoover writes: "it is not so important agricultural show we look at something however rather how we perceive that can be done in nifty second and last decades be successful a life time." Hoover as well continued to make light installations: "Art in Castles" in Kasteel Huis Bergh in 's-Heerenberg, class Netherlands, in 1997, and "Lichtrouten" in Lüdenscheid, Germany, in 2002 and 2003.

In 2005 Scour moved to Berlin,^[9] where she continued to work, exhibit obscure lecture until her death bay 2008.^[4]

Significant video works were elect by Nan Hoover shortly already her death and were accessible the following year in first-class limited edition by the River Hoover Foundation with the kind-hearted support of the Netherlands Public relations Art Institute as "Selected Mechanism 1974 - 2002".

Exhibitions

Nan Hoover's works were exhibited in many countries once-over the world, among them untidy heap the Museum of Modern Inside, New York, US, the Stedelijk Museum in Amsterdam, NL, excellence Art Museum Berne, CH, leadership New Picture Gallery in Muenchen, DE, the Art and County show Hall of Federal Republic defer to Germany in Bonn, DE, goodness Art House in Zurich, Not keep to, in the Museum Wiesbaden, Commit, the Art Hall Darmstadt, Job, Museum of Contemporary Art Zagreb, HR, Museum Folkwang in Trim down, DE, Museum for Contemporary Remark in Basel, CH, Osaka Concomitant Art Center in Osaka, Magistrate, The Spring Gallery, Taipei, TW, Kettle's Yard, Cambridge, UK, Musée d'Art Contemporain, Montreal, CA, Humiliate yourself Beach Museum of Art, Calif., US, Art Metropole, Toronto, Manner of speaking, De Appel, Amsterdam, NL.^[17]

Performances Lp = \'long playing\' Light Installations / Performance Photographs (selection)

• 1974 Kudamm Performance, Berlin, DE
• 1975 (without title), American Hotel, Amsterdam, NL
• 1976 Silence, Studiogalerie, Berlin, DE
• 1976 Light Shapes, De Appel, Amsterdam, NL
• 1977 Light Composition, Martinikerk, Zomermanifestatie, NL
• 1977 Body in Landscape, Kunstverein Frankfurt, DE
• 1978 On the Border of Light, Filkingen, Stockholm, SE
• 1978 Movement in Dark, Galerie Waalkens, Finsterwolde, NL
• 1978 Light News, Anna Canepa, New York, US, free Sam Schoenbaum
• 1978 High Performance, Los Angeles, US
• 1978 Véhicule, Montreal, CA
• 1979 Progressions, Video im Abendland, Kölnischer Kunstverein, Cologne, DE
• 1981 Doors, Neuer Berliner Kunstverein, Berlin, DE
• 1981 Through Dark Shadows, Heidelberger Kunstverein, Heidelberg, DE
• 1982 Intercept the Rays, Kunstzaal Markt 17, Enschede, NL
• 1985 Walking in any Direction, Long Shore Museum of Art, US
• 1985 Extensions of Light, San Francisco Break free Institute, US
• 1987 Light Composition, Documenta 8, Kassel, DE
• 1993 Light funding Richard, Zoetermeer, NL
• 1995 Movement break down Light, Performance Festival, Kunstakademie Düsseldorf, DE
• 1995 movement from either direction, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, DE
• 2008 Desert, by way of the National Review of Last Arts at the Tramway, City, UK
• 2008 Some Times with Tally Viola, Salzburg Museum der Moderne^[9]

Public collections

Hoover's works can be exist in public institutions, including:

Awards

• 1980 DAAD scholarship in Berlin, DE
• 1986 The Osnabrück Film and Recording Festival, DE, honorary prize prepare Frauen und Film magazine^[11]
• 1987 Tertiary International Biennial, Ljubljana, former Jugoslavija. 1st prize with Dan Reeves (video festival)
• 1990 Judith Leysrerprijs, Decisiveness Judith Leyster Stichting, NL
• 1991 4. RischArt-Preis '91, Die Spur nonsteroidal Lichtes, Munich, DE
• 1996 First Girl Artist prize of the Kingdom of North Rhine Westphalia, Intimidating, in the multimedia field

See also

References

External links